Tags: indie film, Zoom
SPOILER WARNING: This movie review contains major spoilers. Read at your own risk.
In these times where body shaming on social media has become more and more prevalent, one movie attempts to address the issue and among others with wry humor.
Zoom is a Canadian indie film about three characters who find themselves in a story written by the other. It’s generally a satire movie about body objectification and the creative process involved in writing books and making films. The movie stars Gael Garcia Bernal, Alison Pill, Jason Priestly, and Mariana Ximenes.
It tells the story of Emma, a young comic book artist who works at a factory that makes sex dolls. She sculpts and paints sex dolls while drawing comic book characters on the side. One day her co-worker/boyfriend Bob saw one of her drawings and points out that she could never be as voluptuous and big-breasted as the female superhero in her comics. Taking offense, Emma draws a new character named Edward in her comics – a guy possessing all the qualities of her ideal man. In her comics, Edward is a famous movie director – handsome, smart, charming and popular with the ladies.
This is where Zoom starts to get interesting. In Edward’s world, he is struggling to complete a new movie against the pressure of a major film studio. The movie script is incomplete and Edward wants to make it as an art house film. The problem is, the film studio wants a typical action-packed, Hollywood-style movie with lots of explosions – something that he really wants to avoid.
Edward’s movie is about a female model named Michelle who wants to become a writer. Her boyfriend Dale is not as supportive of her plans as she expected. So she leaves their shared apartment and goes to Brazil. It’s while she’s in Brazil where she starts writing her novel.
Eventually, Edward realizes that he’s just a character in Emma’s comics, while Emma soon learns that she’s only a fictional character in the book that Michelle is writing. Michelle, on the other hand, also realizes that she’s just a part of Edward’s movie. She doesn’t even know that she’s an actress in the movie.
Zoom splits between the real world, the comic book world, and the movie world. It’s reminiscent of Stranger Than Fiction, A Scanner Darkly and Inception. It also reminds me of A-ha’s comics-inspired “Take On Me” music video back in the ’80s. It’s a shame that I don’t get to see Gael Garcia Bernal in his true form as he only appears in his comic book form in the movie.
Unfortunately, the movie doesn’t have enough depth and fails to explore and develop the characters. Zoom is muddled, silly, absurd and has no direction. Its attempt as an art house film is as unsuccessful as Edward’s efforts in his movie. The ending is a big question mark as the viewers are left wondering what happened to the characters.
What happens to Michelle after she wrote those words in her book? Why is Emma working in that perverted factory in the first place when she could have used her talent somewhere else? What happens to Edward and his unfinished movie? I guess we’ll never know since they are already “smeared” in the comics.
Tags: indie film, world cinema
Kapit sa patalim.
This succinctly describes Rosa’s predicament in life in the indie film, Ma’ Rosa. In a world where you have to do everything to survive, there is little choice left except to take big risks regardless of whether it’s even legal or not.
Ma’ Rosa is yet another indie film by Brillante Mendoza that tackles the social ills of Philippine society, particularly poverty and corruption. It took the local cinema by storm when it won an award at the Cannes Film Festival early this year. Its lead star, Jaclyn Jose, bagged the Best Actress award at Cannes beating out veteran Hollywood actresses such as Charlize Theron, Marion Cotillard and Kristen Stewart.
I was surprised and proud as well when Jaclyn Jose won the award. And it was thrilling to see that it was Mads Mikkelsen (a.k.a TV’s Hannibal Lecter) who announced the winner. The movie wasn’t even locally released yet at that time so the moviegoing public had no idea what it was about. Thankfully, the movie is now showing in local cinemas so I had the opportunity to check it out.
Ma’ Rosa is about a family living in a poor neighborhood somewhere in Manila. Rosa Reyes (played by Jaclyn Jose) and her husband Nestor run a small convenience store adjacent to their humble home with their four kids. However, many people in their neighborhood know that the couple is also selling drugs on the side and using their store as a front. It’s not long before their home is raided by corrupt policemen who take them to the police station. The corrupt cops then demanded a large sum of money from Rosa and her husband in exchange for their freedom. Most of the movie then tackles on how the family scramble to raise the money to pay the cops.
The tone of the entire film was bleak and dreary. There was a general feeling of jadedness among its characters, perhaps highlighting the hard life that they were into. Some camera shots were intentionally shaky. Other shots zoomed in for a closer look at scenes such as Nestor crossing out the name of one of his customers on a tattered notebook, reminding local viewers that this was not your typical mainstream Tagalog movie.
Jaclyn embodied the typical woman I see on the streets with her bare face, basic outfit and street language. Her deadpan facial expressions were refreshing to see. She barely evoked emotions. Only a couple of worrying frowns betrayed the inner turmoil she was feeling. That last scene where she finally let loose and silently cry was truly touching.
Julio Diaz, who played Nestor, looked like he was high on drugs the entire time with his slurred speech and swagger. Maria Isabel Lopez, on the other hand, only had one scene in the movie but she provided some light and amusing moments to the film with her hugot-filled one-liner, “O ayan, isaksak mo ‘yan sa bunganga ng nanay mo!”
The script needed tightening, though. Some of the dialogues came out trite, thus resulting in shallow performance by the supporting characters.
Overall, the movie was okay. It was not that bad but it could have been better.
Tags: foreign films, French Film Festival, world cinema
The 21st French Film Festival just started this week and there are about four films in the lineup that I really want to see. Last year I was able to watch only one French film in the festival, and that was Dans La Cour, which starred Catherine Deneuve. It was a rather depressing movie so I thought that this year, I would watch something light and funny. That’s why I picked Toute Première Fois as the first movie I’d watch.
Toute Première Fois (I Kissed A Girl) is about a thirty-something man named Jérémie who finds himself in a sticky situation after waking up beside a woman he doesn’t know. Normally, this would cause no problem for a regular guy who is used to having one night stands with women – except that Jérémie is gay.
Jérémie has been living with his boyfriend Antoine for the past 10 years. They recently got engaged and are set to exchange wedding vows. But after a night of fun drinking with business clients, Jérémie is shocked to find out that he slept with a Swedish woman named Adna. Apparently, Adna doesn’t know that he is gay.
In panic, Jérémie turns to his best friend and business partner Charles for help. But Charles isn’t much of help since he decided to hire Adna despite Jérémie’s objections. Soon, Jérémie finds himself getting attracted to Adna as they spend more time together at work. Will he tell her the truth about him and his boyfriend?
Honestly while I was watching this movie, I was rooting for Jérémie to stay with Antoine. Antoine is sweet, dependable, supportive and best of all, he loves Jérémie. But then, Jérémie is discovering a new side of himself. And this movie explored that side of him – albeit in a funny, heart-tugging way.
The movie is rather predictable, though. Halfway through the movie, I knew who Jérémie was going to end up with. The usual tropes are also played out in this movie: Charles as the womanizing best friend, Adna’s background, the climax, and the surprise ending involving a gay marriage.
But Toute Première Fois is still worth to watch if you like popcorn movies and want a laugh or two.
Tags: comics, X-Men
I had so much expectations for the latest installment of the X-Men movie franchise. Ever since I learned in 2014 that Apocalypse would be the main villain in the next X-Men movie, I got really excited. Apocalypse was the one X-Men villain that I really loved to hate. While I didn’t read much of its comics version when I was a kid, I did love the cartoons. And I always loved every episode where Apocalypse was involved. He was a formidable villain that the X-Men could not beat easily.
It is rather unfortunate, though, that X-Men: Apocalypse did not live up to my expectations. Sure I liked the movie enough, but it did not leave me in awe when I left the cinema. While the CGI was stunning as expected from a blockbuster superhero movie, the action sequences were a bit muddled. There was too much going on that it was hard to keep up with the story and the characters.
I was expecting more depth from Apocalypse but there was really no solid merit in his arguments to wipe out the world and the entire population. It was a typical trope that I’ve seen so many times in other movies and TV shows. And I was left confused on why Storm, Psylocke and Angel would want to team up with Apocalypse.
Speaking of these three characters, they were underutilized in this movie. All they did most of the time was to stand around Apocalypse. There was no character development. I’ve seen in interviews on TV that Olivia Munn supposedly had an intense martial arts training in preparation for her role as Psylocke. But I did not see much of that in the movie. Her action sequences were very limited, and so were Angel’s.
Quicksilver’s slow-mo scene – while amusing – was a less impressive repeat of his widely-loved slow-mo scene in X-Men: Days of Future Past. It’s mainly a fan service, nothing more. His revelation that he was the son of Magneto was an anti-climax and wasn’t explored much in the movie.
I also have a gripe about Jean Grey meeting Wolverine for the first time in 1983. Correct me if I’m wrong, but from what I remember from the movie franchise, Wolverine did not meet Jean Grey until that very first X-Men film. And am I supposed to believe that their age gap was really that wide?
Sophie Turner as Jean Grey was likable enough. I liked the fact that the movie hinted on her alter ego – the Dark Phoenix, and that her powers were strong enough to defeat Apocalypse. Hopefully the next X-Men movie will focus on Dark Phoenix and do justice to that storyline. I hated X-Men: The Last Stand for the way the writers treated that story on Jean Grey/Dark Phoenix.
Towards the end of X-Men: Apocalypse, audiences were shown Mystique training the young Jean Grey, Storm, Cyclops, and Nightcrawler and preparing them to be the X-Men that they would become. Here’s the thing. I did not buy this at all. It didn’t sit well with me. I mean, Mystique was supposed to be a villain in the first place. If there was someone who’d train the future X-Men, it would be some other older mutant, not Mystique. But I guess the writers wanted to focus on Jennifer Lawrence’s character and make her a potential leader of the X-Men because, hey, she’s an Academy Award winner.
I miss Rebecca Romijn and Famke Janssen. To me, they are still the better versions of Mystique and Jean Grey, respectively. And Rogue is clearly missing in this movie. Maybe she’ll make an appearance in the Gambit movie – if that is still happening.
All in all, X-Men: Apocalypse lacked the substance and cohesiveness of its predecessor X-Men: Days of Future Past.
Tags: foreign films, world cinema
Here’s a rather morbid thought: Would you want to know how and when you will die or would you rather let it happen unexpectedly? Do you want to be caught by surprise when it happens? At least this is the question that the movie, The Surprise poses to viewers.
The Surprise is a Dutch film by Mike van Diem and stars Jeroen van Koningsbrugge and Georgina Verbaan. It’s currently showing at a local cinema. Although I do wonder why it is just being locally released now since the movie is from last year.
Anyway, I liked the movie simply because it’s a quirky, dark comedy with a heart. It tells the story of Jacob – a multimillionaire aristocrat who is lonely and wants to end his life. After a few failed suicide attempts, he stumbles on a secret company that offers a one-way ticket to the afterlife. The company caters to customers who want to end their life for whatever reason and offers them several options on how they want to die. Jacob chooses the “Surprise” option, which means he cannot know when or how he is going to die. All the company promises him is that it will be soon.
However, he meets a female customer at the company who also takes the “Surprise” option. Jacob soon falls in love with her and now wants to delay his passing. Unfortunately, the contract he signed with the company prevents him from doing so. What happens next is a hilarious tale of dodging bullets, following family obligations, and greedy lawyers.
The Surprise is a lighthearted movie that shows how one chooses to live his life no matter the tragedies that might have fallen on him.
I miss these kinds of movies because it’s so different from the usual romantic comedies that Hollywood keep on making.